42nd Street Auditions

First Rehearsal

June 17

Opening Night

June 30

Closing Night

July 28

Creative Team:

Director & Choreographer: Brett Smock

Musical Director: Jeff Theiss

Submission Instructions:

Please only submit 42nd Street material. If you are interested in other shows, please submit per show. You must submit your audition materials by May 11th.

Send an email with the subject line in the following format “42/ROLE.” Included in your email, please submit your audition video as a Youtube or Vimeo link along with an attached current headshot and resume. In addition, please slate at the top of your video.

For East Coast/National Submissions: casting@therevtheatre.com

For LA/West Coast Submissions: Julia Flores / julia@florescasting.com

Thank you, and we look forward to seeing your audition!

Character Breakdowns

PEGGY SAWYER
Female-identifying, 20 – 29. Incredible triple threat and an expert tapper. A versatile and charismatic ‘new kid on the block’ chasing her big break. A smart and versatile actor with a great belt. A star presence full of optimism, warmth and innocence.

BILLY LAWLOR
Male-identifying, 25 – 35. Excellent triple threat. Powerful tenor with killer feet. Funny, charming and chock full of style and slick.

JULIAN MARSH
Male-identifying, 50s. Broadway director. Powerful presence, commanding actor who moves well. Tough, jaded but warm. A grounded, commanding actor with a powerful baritone.

DOROTHY BROCK 
Female-identifying, 40s-50s. Excellent actor with terrific comedic chops. Star presence, diva w/ great style, commanding, adept at navigating heightened comedy and warm sincerity with style. Must move very well.

MAGGIE JONES
Female-identifying. 30s/40s. Funny, broad, big belt. Show stopper with a nose for broad comedy and style.

BERT BERRY
Male-identifying, 30s/40s. Charming, funny actor who sings and moves well.

ANYTIME ANNIE
Female-identifying, late 20s/30s. Wise-cracking, flirtatious, tough but lovable triple threat. Big belt, great feet, star presence.

ANDY LEE
Male-identifying, 30s. Strong triple threat. Efficient, tough, but caring dance director. Terrific, commanding presence. Expert tapper.

MALE-INDENTIFYING AND FEMALE-INDENTIFYING ENSEMBLE
A team of true triple threats. Magnetic, athletic, versatile actors with great voices and terrific stage presence. Pristine tappers. Performers who are adept at navigating the style of the period. Physically strong and able to endure a very demanding dance show.

Audition Packets:

Peggy Sawyer

Peggy Sawyer Audition Packet

Vocal

Accompaniment – Listen to the tracks labeled ‘plunk’ with headphones. Your part is panned to the right and the accompaniment to the left. If you just want to hear your part, just wear the right headphone and vice versa. Use the tracks labeled ‘accompaniment’ for your video.

Go Into Your Dance – Plunk

Go Into Your Dance – Accompaniment

Dance

Choreography Selection

Billy Lawlor

Billy Lawlor Audition Packet

Vocal

Accompaniment – Listen to the tracks labeled ‘plunk’ with headphones. Your part is panned to the right and the accompaniment to the left. If you just want to hear your part, just wear the right headphone and vice versa. Use the tracks labeled ‘accompaniment’ for your video.

Dames – Plunk

Dames – Accompaniment

Dance

Choreography Selection

Dorothy Brock

Dorothy Brock Audition Packet

Accompaniment – Listen to the tracks labeled ‘plunk’ with headphones. Your part is panned to the right and the accompaniment to the left. If you just want to hear your part, just wear the right headphone and vice versa. Use the tracks labeled ‘accompaniment’ for your video.

Quarter to Nine – Plunk

Quarter to Nine – Accompaniment

Julian Marsh

Julian Marsh Audition Packet

Accompaniment – Listen to the tracks labeled ‘plunk’ with headphones. Your part is panned to the right and the accompaniment to the left. If you just want to hear your part, just wear the right headphone and vice versa. Use the tracks labeled ‘accompaniment’ for your video.

Forty Second Street Finale – Plunk

Forty Second Street Finale – Accompaniment

Pat Denning

Pat Denning Audition Packet

Accompaniment – Listen to the tracks labeled ‘plunk’ with headphones. Your part is panned to the right and the accompaniment to the left. If you just want to hear your part, just wear the right headphone and vice versa. Use the tracks labeled ‘accompaniment’ for your video.

Forty Second Street Finale – Plunk

Forty Second Street Finale – Accompaniment

Maggie Jones

Maggie Jones Audition Packet

Accompaniment – Listen to the tracks labeled ‘plunk’ with headphones. Your part is panned to the right and the accompaniment to the left. If you just want to hear your part, just wear the right headphone and vice versa. Use the tracks labeled ‘accompaniment’ for your video.

Go Into Your Dance – Plunk

Go Into Your Dance – Accompaniment

Andy Lee

Andy Lee Audition Packet

Vocal

Accompaniment – Listen to the tracks labeled ‘plunk’ with headphones. Your part is panned to the right and the accompaniment to the left. If you just want to hear your part, just wear the right headphone and vice versa. Use the tracks labeled ‘accompaniment’ for your video.

Forty Second Street Finale – Plunk

Forty Second Street Finale – Accompaniment

Dance

Choreography Selection

Abner Dillon

Abner Dillon Audition Packet

Accompaniment – Listen to the tracks labeled ‘plunk’ with headphones. Your part is panned to the right and the accompaniment to the left. If you just want to hear your part, just wear the right headphone and vice versa. Use the tracks labeled ‘accompaniment’ for your video.

Forty Second Street Finale – Plunk

Forty Second Street Finale – Accompaniment

Bert Barry

Bert Barry Audition Packet

Accompaniment – Listen to the tracks labeled ‘plunk’ with headphones. Your part is panned to the right and the accompaniment to the left. If you just want to hear your part, just wear the right headphone and vice versa. Use the tracks labeled ‘accompaniment’ for your video.

Forty Second Street Finale – Plunk

Forty Second Street Finale – Accompaniment

Anytime Annie

Anytime Annie Audition Packet

Vocal

Accompaniment – Listen to the tracks labeled ‘plunk’ with headphones. Your part is panned to the right and the accompaniment to the left. If you just want to hear your part, just wear the right headphone and vice versa. Use the tracks labeled ‘accompaniment’ for your video.

Quarter to Nine – Plunk

Quarter to Nine – Accompaniment

Dance

Choreography Selection

Ensemble

Male-Identifying Ensemble Audition Packet

Female-Identifying Ensemble Audition Packet

Vocal

Accompaniment – Listen to the tracks labeled ‘plunk’ with headphones. Your part is panned to the right and the accompaniment to the left. If you just want to hear your part, just wear the right headphone and vice versa. Use the tracks labeled ‘accompaniment’ for your video.

Dames (Soprano) – Plunk

Dames (Soprano) – Accompaniment

Dames (Alto) – Plunk

Dames (Alto) – Accompaniment

Dames (Tenor) – Plunk

Dames (Tenor) – Accompaniment

Dames (Baritone) – Plunk

Dames (Baritone) – Accompaniment

Dance

Choreography Selection

Thanks for your time and talent! We look forward to viewing your work!

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